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Posts Tagged ‘Marthe de Floian’

diaz-albertini

Giovanni Boldini: Signora Diaz-Albertini

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What woman would not wish to be highly desirable? Anyone able to bring on that dream would be well-rewarded. Giovanni Boldini, with his magic brush, made a lucrative career out of injecting voluptuousness into his sitters’ portraits. Everything in his paintings exuded sensuality: not only the woman herself but also her outfit. Jewels gleamed against bare flesh, satins glistened while embracing curves, slick silks slithered, exposing a shoulder, fluffy furs invited a caress.

boldini photo

The Italian painter Giovanni Boldini (born in 1842) settled in Paris in 1872. He died there, a very wealthy man, in 1931

Boldini’s racy paintings touched the extreme limit of convention. His work was the talk of the high society dinners. In the last years of the Belle Époque, at the height of his fame, the demand was so high that he chose his sitters. To have a portrait painted by Boldini was a defining sign of eligibility. It was known that the artist did not deign to honor a portrait commission below one million francs – except for a privileged relationship with the model. (For comparison, the wage of a maid was one franc a day.)

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As the Belle Époque sped toward the end of the century, the hefty beauties of the Second Empire gave way to slim, ethereal beings. Not every fashionable woman was able to fit that image. It took the clever brush of a painter to stretch bodies lengthwise and refine features. Boldini was the master of flattery.  

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alice regnault

From chubby to lascivious: Alice Regnault, a popular actress, became a red hot item thanks to Boldini’s art

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wertheimer

Madame Wertheimer (1902): One of the daring décolletage portraits that made Boldini’s fortune

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In the past, before Boldini’s time, a high-ranking courtesan’s ambition—when she had a portrait painted—was to look like a grande dame. Now fashionable titled women wanted to look like courtesans. Below are the portraits of two women, coincidentally both named Marthe, who were vastly apart on the social scale. One is a wealthy prostitute, the other a Romanian princess. Which is which?

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marthes

Princess Marthe Bibesco and Marthe de(*) Florian

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Boldini’s portrait of Marthe de Florian was recently discovered in her Parisian apartment that had remained locked for seventy years. The story was published in an earlier post here: How the Courtesans Lived – A Time Capsule

(*) Celebrated courtesans often appended the aristocratic particle de to their chosen names.

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Related posts:

Could You Be a Salonnière?

Bois de Boulogne: The Rendezvous of Wealth and Opulence

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