Posts Tagged ‘crinoline’



A tinted photograph of Countess Castiglione.  In the fashion of the 1850s and 1860s, too much was never enough

The previous post dealt with the duel – a very masculine endeavor of two men killing each other for the sake of honor. Unlike the male population, women did not carry swords or pistols to assert themselves. They used fashion to that end. The 1850s and 60s was the era of expansion in every way including fashion. Railways expanded around the world, an undersea cable was laid and the telegraph carried instant news across the Atlantic. Machines and bridges were built that required chains of links the size of a human body. International expositions united goods and people from every corner of the globe. Women in their ever-increasing skirts took more and more room at such gatherings. A dress made of 15 to 20 yards of fabric covered with an ample mantle in the winter made women look like moving pyramids. Fortunately, the sewing machine was invented just then to help with assembling the abundant material.




1858 Italian gownAlthough I published a few posts on the 19th-century fashion, especially on the infamous 1850-60s crinoline, none of them can compete with Mimi Matthews’ meticulous work The 1860s in Fashionable Gowns: A Visual Guide to the Decade. Mimi is working her way through the century post by post, each decade a careful assemblage of museum collections photos: a visual feast not to be missed. You’ll find some fashion atrocities like the Queen Victoria’s Great Exhibition gown with cancerous satin growths, but also things of stunning beauty, of rich materials and clever use of sewing skills. The winning entry is the orange Italian court gown. Do click on the photo to enlarge the gorgeous gold embroidery. You will be taken directly to the Metropolitan Museum fashion collection. But do come back to read Mimi Matthews’ remarkable post!

Update: Sorry, the links are no longer functional. The author of the blog promised to look into it.

Second update: Since no links are coming, I managed to find Queen Victoria’s Great Exhibition gown (1851).  Visit The Royal Collection Trust for more here.



Related posts:

The Hoop Crinoline: Dying for fashion

The Hoop Crinoline: Living in a Cage

La Castiglione: The Too Much Countess


If you enjoy these posts, support the author by buying her books on Amazon (also available in print):


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The art of sitting in a cage crinoline

The art of sitting in a cage crinoline

The Hoop Crinoline: Living in a cage post, published here earlier, discussed the encumbrance of this fashionable accessory mostly in a humorous way. Yet there was a serious—one may say tragic—side to the matter.

When the crinoline had reached its greatest degree of expansion, it was extremely hard—indeed, practically impossible—for more than two ladies to maneuver their skirts in one small room. “It was necessary,” remarked a lady of the Empress Eugénie’s court, in later years, “to watch one’s every movement carefully, to walk with a gliding step, and to supply the elegance lacking to the outline by a certain yieldingness of figure.   It was not easy for a woman to walk with such a mass of material to carry along with her. But as to sitting, it was a pure matter of art to prevent the steel hoops from getting out of place. To step into a carriage without crushing the light tulle and lace fabrics required a long time, very quiet horses, and a husband of extraordinary patience! To travel, to lie down, to play with the children, or indeed merely to shake hands and to walk with them—these were problems which called for great fondness and much goodwill for their solution.”

Women, moreover, with the introduction of the most advanced Victorian fashions, had become highly inflammable. Though gasoliers now lighted ballroom and drawing-room in place of the crystal chandeliers and silver sconces, candles, and oil lamps were still set in dangerous proximity to flimsy shawls, sleeves, and skirts, and the chronicles of the nineteenth century are full of stories  of dreadful deaths by fire – of how the Duchess de Maillé was burned to death at her friend’s fireside; how the Archduchess Mathilde, discovered smoking, attempted to hide the surreptitious cigarette in her petticoat and went up in flames; how a French actress was incinerated on stage; and how Queen Victoria’s daughter, the Princess Royal, narrowly escaped death by the same agency.

Source: Victorian Panorama by Peter Quennell

Further reading:

Visit the richly illustrated Crinoline Review 1850-1859

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